Live Projects

L-ISA systems have been used in a wide variety of live events including classical, jazz and rock music. Feedback has been uniformly positive with specific praise being given for immersion, clarity and consistency.

Renaud Phénix Tour

“Renaud est un artiste très sensible, comme nous le savons tous, mais dont la voix a malheureusement souffert tout au long de ces années. Elle est donc assez délicate à traiter en concert, surtout qu’il s’agit d’un vrai chanteur à textes. Il est primordial que le public comprenne tout ce qu’il dit. L’idée a donc été de ne plus mixer Renaud dans la masse d’un mix en tentant de la ressortir, mais de l’entendre véritablement enouré par ses musiciens et de redonner toute sa musicalité à sa poésie.”

— Madje Malki, FOH for Renaud Phénix tour

Description Of The Project :

Renaud Phénix Tour, European tour, October 2016 – April 2017

Sound Design Solution :

System height from stage: 6.5 m
Step between speakers: 4 m
Scene speakers: 5x KARA arrays
Low extensions: 2x SB18 arrays flown (mono)

Additional Coverage :

Front fills: ARCS II, X8
Out fills/ Side fills: K2
Subwoofers: KS28 (mono aux)
Delays: KARA

Setup :

Urban Voices

“L-ISA live connects the sound with the visual image of the artists performing on stage. It allows every member of the audience optimum sound and consistency with what they are seeing, not just those in the seats located in the central axis of the scene.

It was a great opportunity to deploy the L-Acoustics system – acquired two years ago during an upgrade to the Cité’s PA – in a new configuration, that introduces the audience to a truly immersive experience.”

— Mickaël Sourisseau, La Cité Nantes Events Center’s technical manager

Description Of The Project :

Urban Voices, La Cité Nantes Events Center, France, July 2016

Sound Design Solution :

System height from stage: 6.7 m
Step between speakers: 3.75 m
Scene speakers: 5x KARA arrays
Immersive speakers: 4x 12XT
Low extensions: 2x SB18 arrays flown (L|R)

Additional Coverage :

Front fills: 8XT
Subwoofers: SB28 (mono aux)

Setup :

Disney in Concert

“I’m very happy to say that using L-ISA is a big step towards more people in the audience experiencing more of the sonic detail connected with what one can see on stage. This imaging clarity is usually only available in full quality to those seated near the middle. Mixing on the L-ISA system was a very enjoyable and rewarding experience, and the number of people who complimented the sound this year was a good indication that it was recognised by many.”

— Holger Schwark, FOH mixing engineer

Description Of The Project :

Disney in Concert, Waldbühne Berlin, Germany, July 2016

Sound Design Solution :

System height from stage: 6.5 m
Step between speakers: 4.5 m
Scene speakers: 5x KARA arrays

Additional Coverage :

Front fills: ARCS WiFo
Out fills/ Side fills: KIVA
Far fields: K1
Subwoofers: SB28 (mono aux)
Delays: KIVA

Setup :

La Villette Jazz Festival

Description Of The Project :

La Villette Jazz Festival, La Grande Halle de la Villette, France, May 2016

Sound Design Solution :

System height from stage: 7.5 m
Step between speakers: 6.5 m
Scene speakers: 3x KARA arrays
Immersive speakers: 9x ARCS
Low extensions: 2x SB18 arrays flown (L|R)
Extended speakers: 2x KARA arrays

Additional Coverage :

Front fills: 8XT
Subwoofers: SB28 (mono aux)

Setup :

Johann Sebastian Bach’s La Passione

Description Of The Project :

Johann Sebastian Bach’s La Passione, Staatsoper Hamburg, Germany, April 2016

Sound Design Solution :

System height from stage: 8 m
Step between speakers: 3.25 m
Scene speakers: 5x KARA arrays
Extended speakers: 2x KARA arrays

Setup :