Groundbreaking experiences require next-generation audio concepts that can quickly adapt to different formats.
L-ISA object-based control and processing software is designed with a simple rule: Seamlessly integrate into the project workflow so the artist can focus on creating their vision.
Nothing should hinder creativity—especially not your tools.
L-ISA integrates with every major digital audio workstation on the market so musicians can keep their preferred creation process. A plugin is all it takes.
Through the L-ISA Controller software suite, interaction designers can design and test their interactive environments at the earliest stages of a project, simply by connecting the L-ISA Controller to game engines, tracking systems, or other creative solutions via the Open Sound Control (OSC) protocol. No hardware needed.
Pre-production works are often rough draft representations of the final production. L-ISA removes this constraint with a full object-based approach that keeps the audio mix independent from the speaker layout.
This allows the engineer to produce a 56.1 pre-production show in a studio equipped with a 9.1 speaker system.
Control strategies, sonic trajectories, and real-time behaviors can be defined in such environments, therefore minimizing the need for last-minute programming.
Scale up your speaker system in a matter of minutes and handle playback as well as live audio sources through your favorite mixing console.
The L-ISA Hardware Processor offers full audio redundancy with ultra-low latency for the most demanding applications.
From small spaces to massive deployments, L-ISA is the technology of choice for the world’s leading experiential artists—empowering them to elevate their creative vision in ways they couldn’t before.
With the power of object-based mixing, L-ISA tools provide an ultra-efficient workflow for producing any multi-track project into a variety of audio formats, from 5.1 to 22.2.
L-ISA integrated room engine provides tremendous spatial control to provide effective results in a matter of minutes.
Re-mixing a studio session or a live show in immersive format for broadcast, theatres, or the BluSpace format has never been easier.