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RPC’s Brian Victor says that L-ISA technology helped them “achieve what we wanted to do to the degree that even I didn’t expect.
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The L-ISA system, designed by Martin Rode, Head of Application Install D-A-CH, comprises a five-part Scene system. Copyright: Andras Hauch
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Six L-Acoustics KS21 subs are flown behind the centre hang and ten 5XT are evenly spaced across the stage lip for frontfill.
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Johnny Marr Call the Comet tour, EartH (Evolutionary Arts Hackney), London, 2019. Photo: Maria Zhytnikova
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FOH engineer Dave Dixon enjoys new-found creative freedom with the L-ISA processor and DiGiCo SD7
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alt-J Forest Hills Stadium, 2018. Photo: Drew Gurian
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L-ISA enhances the connection between orchestra and audience as LA Phil Music & Artistic Director Gustavo Dudamel leads this landmark performance at the Seoul Olympic Park Gymnastics Arena (KSPO Dome).
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A DiGiCo SD7 console was used to mix the show.
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Bon Iver, Santa Barbara Bowl 2018. Photo: Matt Benton
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Odesza, Santa Barbara Bowl, 2017. Photo: Andy Tenille
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Verdi’s Requiem by the Orchestre National de Lille (ONL), France, July 2017
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